Buenos Aires at dusk — storefront glow, shifting light, pedestrians moving through the frame. Through long exposure and deliberate in-camera movement, figures begin to overlap and flicker, bodies stretching and dissolving as if briefly occupying multiple positions in time simultaneously. The series takes its name from the television series Fringe — not as reference, but as recognition. That parallel realities exist. That every decision places us on a slightly different trajectory. That the layers occasionally surface and become, for an instant, visible. These images are that instant. The city as threshold. The street as the other side.

Each work exists in a strictly limited edition. Once closed, it does not reopen.